Resident Evil Review: A Near Perfect Match Between Franchise and Filmmaker
Zach Cregger's take delivers gloriously gory, gruesome, gnarly fun for the whole family.
Paul Walter Hauser
Americana Review: Sydney Sweeney’s Star Power Can’t Fix a Broken Story
There's something admirable in Americana's willingness to take unexpected turns, but those twists ultimately lead to an ending that doesn't satisfy.
The Naked Gun Review: When Everyone Fully Commits to the Bit
The update of The Naked Gun starring Liam Neeson and Pamela Anderson hilariously captures the stupidity and spirit of the original film.
The Fantastic Four: First Steps Review: Marvel’s New Era Begins
The Fantastic Four: First Steps offers a heartfelt cosmic adventure that feels like a comic book come to life.
The Luckiest Man In America: TIFF 2024 Review
David Strathairn and Shamier Anderson are the standouts of game show drama The Luckiest Man In America.
Inside Out 2 Review: All the Magical Emotions Are Back!
While the Disney-owned animation studio has had some lesser offerings in recent years, Inside Out 2 proves that Pixar still has an abundance of creative juice left in the tank.
The Afterparty Season 2 Review: It’s About The Journey, Not The Destination
'The Afterparty,' which returns for its second season on July 12, continues to be the only whodunnit that doesn't live or die on who-dun-it.
Songbird Review: It’s Not ‘Too Soon’, It’s ‘Too Bad’
Songbird holds the distinction of being the first movie to film in Los Angeles since the 2020 pandemic shutdown. It also has the distinction of being one of the most misguided and tone-deaf movies of the year.
Richard Jewell Review
Paul Walter Hauser is great as the titular Richard Jewell, but how does Clint Eastwood's film do in telling his story?
TIFF 2017: I, Tonya Review
TIFF 2017: I, Tonya Review.
