Interview: Sarah Gadon on the enRoute Film Festival
We talk to Toronto's own Sarah Gadon about her work as a juror for this year's Air Canada enRoute Film Festival, devoted to bringing some recognition to up and coming short filmmakers.
Sarah Gadon
This Week in DVD: 1/8/13
As we dig out from piles of new releases from before and after the holiday season, we take looks at the home video releases for Looper, Frankenweenie, Cosmopolis, Dredd, Pitch Perfect, Compliance, The Words, Hit and Run, and season one of Anger Management
Antiviral Review
With his debut feature Antiviral, writer and director Brandon Cronenberg might be accused of following in his famous father David’s footsteps, and while he finds himself unquestionably influenced by his old man in terms of plot structure, pacing, and leaning towards the use of body horror as a metaphor for something greater, the young filmmaker hits enough original notes of his own to create a slightly off kilter, but very well directed bit of low key creepiness.
Interview: Sarah Gadon
We talk to Toronto native and actress Sarah Gadon about her upcoming role in Brandon Cronenberg's Antiviral, the creation of one's perceived image, and what role she initially wanted to play in the film.
Interview: Brandon Cronenberg
We talk to writer and director Brandon Cronenberg about his debut feature Antiviral and how illness informs creativity, how celebrity obsession becomes a form of sickness, and his film's impressive production design.
TIFF 2012 Reviews: Part 2
Day two of our TIFF 2012 coverage rolls on with looks at Anna Karenina, The Iceman, Antiviral, No, Amour, The Sapphires, Pusher, The Secret Disco Revolution, and What Richard Did.
Cosmopolis Review
While a challenging film for average viewers to get involved with David Cronenberg's big screen adaptation of Don DeLillo's Cosmopolis holds a lot to like for attentive viewers with great acting and dialogue, but very little of Cronenberg's own personality in favour of focusing on DeLillo's.
The Moth Diaries Review
After a promising opening, American Psycho director Mary Harron squanders all of the promise shown in her latest teen horror The Moth Diaries before ending up as one of the worst films of the year thus far.
