The Last Black Man in San Francisco Review
Director Joe Talbot's The Last Black Man in San Francisco portrays the relentless crime of community disintegration at the hands of gentrification.
Sundance review
Sundance 2019: Monos Review
Director Alejandro Landes' Monos is a Lord of the Flies/Heart of Darkness allegorical epic film navigating Latin American mountains and jungles to bring a tale of disintegrating alliances and violent upheaval.
Sundance 2019: Blinded by the Light Review
When it comes to crowd-pleasing narratives, Sundance has had a good ear to the ground. Director Gurinder Chadha's feel-good musical Blinded by the Light follows that tradition by mixing Bruce Springsteen's classic songs with a real life coming-of-age story.
Sundance 2019: The Lodge Review
With affecting performances, exceptional photography, a haunting score and a storyline that eats at you throughout, The Lodge is an extraordinary work by a talented group of actors and filmmakers.
Sundance 2019: The Last Black Man in San Francisco Review
Director Joe Talbot's The Last Black Man in San Francisco portrays the relentless crime of community disintegration at the hands of gentrification.
Eighth Grade Review
Caustic, hilarious, and wonderfully effective, Bo Burnham’s Eighth Grade may drum up anxious feelings long buried, but it does so with a wit and intelligence that’s unbeatable.
Eighth Grade: Bo Burnham on Being Old on the Internet
Comedian Bo Burnham talks about his directorial debut Eighth Grade and what it's like being an old man on the internet your mid-20s.
Won’t You Be My Neighbor? Review
Morgan Neville’s magnificent doc Won’t You Be My Neighbour? is a wonderful testimony to the legacy of Mr. Rogers and a perfect template for how to create a film of this nature.
Sundance 2018: Eighth Grade Review
Caustic, hilarious, and wonderfully effective, Bo Burnham’s Eighth Grade may drum up anxious feelings long buried, but it does so with a wit and intelligence that’s unbeatable.
Sundance 2018: Tyrel Review
A small film with big ambitions, Sebastián Silva’s tense drama Tyrel takes its simple setup and runs with it in directions both surprising and compelling.
Sundance 2018: American Animals Review
Bart Layton’s true crime thriller American Animals is highly entertaining, highly sophisticated hybrid featuring a quartet of fine young actors.
Sundance 2018: Mandy Review
Director Panos Cosmatos' Mandy offers viewers an opportunity to not only revel in his surreal visual style but to fully embrace the lunatic performance by Nicolas Cage.
Sundance 2018: Won’t You Be My Neighbor? Review
Morgan Neville’s magnificent doc Won’t You Be My Neighbour? is a wonderful testimony to the legacy of Mr. Rogers and a perfect template for how to create a film of this nature.
Sundance 2018: Damsel Review
The Zellner Bros (Kumiko: The Treasure Hunter) dig up some more of those Coen brother vibes for Damsel.
