Interview: Can I Get a Witness? Director Ann Marie Fleming
An interview with Can I Get a Witness? director Ann Marie Fleming about her equally utopian and dystopian drama starring Sandra Oh.
Tallinn Black Nights Film Festival
Neon Dreaming Review: Retreats Into Fantasy
Marie-Claire Marcotte‘s Neon Dreaming overly simplifies considerations of neuro-diversity and parenting.
The Beast Hand Review
Low-budget specialist Taichiro Natsume hands out plastic props, psychopathy and perversion in his latest horror feature.
Interview: Quiet Life Director Alexandros Avranas
Director Alexandros Avranas tells us about his drama Quiet Life and its disturbing, delicate issues
Plastic People Review
While the environmental damage caused by plastic is widely accepted, the Canadian documentary Plastic People looks closely at the cost to human health.
How to Make Millions Before Grandma Dies Review
Pat Boonnitipat offers a personal perspective at rivalry and reconciliation among family in How to Make Millions Before Grandma Dies.
Deaf Lovers Review
Boris Guts‘ Deaf Lovers premiered in Tallinn‘s Black Nights Film Festival‘s Official Competition despite major public backlash. But what of the film itself?
Scared Shitless Review: What a Dump.
“That’s real cool, right?” If a film starts with that question, the answer is usually “no.” The in many ways crappy creature feature Scared Shitless is no exception. In fact, the horror comedy feels tediously long despite its 76 minute running time. It’s so void of quality and full of unremarkable aspects, that an Estonian […]
Hani Review
Where lust was called just: This is where Hou Das heng's social-realist spectacle Hani takes audiences.
Pink Lady Review
Much like the conflicted couple, Nir Bergman‘s detached drama never quite dares to break away from toxic traditions and harmful hypocrisy.
Black Gold Review
Takashi Sugimoto intertwines poetry and prose in his debut docu-drama, #BlackGold, examining the religious roots and socio-economic structures of India’s hair trade.
