Despite stunning visuals, Disney/Pixar’s latest film, Elemental, gets bogged down in the telling before ever really getting off the ground.
Join us as we crawl through a river of shit in this week's episode on The Shawshank Redemption and its score by Thomas Newman.
Against all odds we've gone a whole year doing this comPOSERS podcast thing, and as promised, we've done a special to commemorate it!
Join us in isolation as we take on Passengers, a very flawed but enjoyable film with a very flawed but enjoyable score.
The gang discusses the films nominated for Best Score
Saluting the serial losers among this year's Oscar nominees!
Should we hold Spielberg to a higher standard just because he's Spielberg? Jason Gorber's review of Bridge of Spies examine this and other questions.
There are several categories for the Oscars with very particular qualification standards. Original Score is clearly one of them as only 97 films qualify this year. With less than 100 possibilities and the Academy being categorically opposed to surprising people, it shouldn’t be very difficult to pick out the scores that will be nominated (including movies like Chipwrecked in the running also helps narrow the field).