Berberian Sound Studio is certainly one of the strangest movies that you’re see all year and also one of the most perversely fascinating. A surreal, horrific, thriller just as insane as its main character.
Red Lights squanders a great concept, good performances, and wonderful atmosphere in favour of a twist ending so wrongheaded and incoherent that it kills and sets fire to everything that came before it.
Wicker is a surprisingly tender feminist romance that has more to say about gender politics, love, and relationship dynamics than any other film this year.
An interview with Gary Oldman about diving into his dishevelled spy Jackson Lamb on season six of Slow Horses and learning the character as the series evolves.