This episode of Girls was an emotional rollercoaster, bringing back S3E1's theme of questioning bonds between partners. Earlier this season Hannah told Adam “I really know you—no matter what your crazy ex-girlfriend says, I really know you.” While Natalia certainly doesn't understand Adam, it seems like Hannah might not either.
In one of the best-written episodes of the season, Hannah's Nana Flo is on her deathbed, meaning our main girl needs to brave emotional, and sometimes terrible family members while attempting to unpack her family history.
By the end, the thing that made True Detective darkest - the potential that Rust and Marty were truly bad people - became the very aspect that put the bright stars in Pizzolatto and Fukunaga’s night sky.
Canadian films Gabrielle and Enemy took home major film awards at last night's Canadian Screen Awards, while Call Me Fitz and Orphan Black ruled the television side of the evening's festivities.
Where as last season, Hannibal was content with leaving our minds to do the job, this year we don’t get the ability to just shrug off the horror as CSI clowns Scott Thompson and Aaron Abrams describe it with practiced wit and perfect deadpan. Now, we see the stitches tear.
We talk to Vancouver based performers Fiona Vroom, Paula Giroday, and Jovanna Huguet about the webseries and live cabaret they have created about a trio of 1950s suburban housewives with superpowers known as The True Heroines.
“App Development and Condiments” sees Community in comfortable territory as it takes laser focus on modern forms of cliquing, has fun digging at Internet meritocracies like Reddit, and imagines Greendale as a Huxley-ian meme-eugenic dystopia populated with highly upvoted comedian guest stars.
Disguised as a lit trail of gunpowder leading to a jam-packed keg, True Detective is a thread of black yarn that continues to burn throughout the crowded firework factory that Nic Pizzolatto has made for us, expertly missing all the fuses and gas cans that lesser shows would ignite.
The great mandala that is Bryan Fuller’s Hannibal is only just beginning to reveal itself. We know slightly more than the characters about the overall design, and this new territory will be adding a different nightmarish colour to our palate.
Hannibal’s greatest strength, the one that produces the most gut-wrenching moments, is the most viscerally sterile: Hannibal Lecter and Will Graham in a room trying to destroy each other while falling irretrievably deeper into a mad sort of love.
A heart-filled examination of friendship that starts with Jeff and Duncan scheming selfishly, and ends around the Table Mk II with warm assurance, the bondage of honesty, and the best reference to The Shining since The Simpsons had a crack at it in the early 90’.
We talk with Will Pascoe, director of the documentary Lost Heroes: The Untold Story of Canadian Superheroes about the largely forgotten about or sadly lost legacy of the Canadian born superhero.
For the first time in True Detective’s run we have been left with an image, burdened with a heavy past, moving toward a future not known by anyone inside the show’s delicate clockwork collage. It’s no longer a matter of whodunit, it’s a matter of who’s-gonna-do-it.
Hidey-ho readers! Your friendly neighbourhood Girls recapper is here with some sweet, sweet catch-up.
Marnie desperately wishes that the girls had the same bonds they did when they were in college. In an attempt to reconnect, she organizes an epic, adult weekend, packed with everyone's favourite thing: Rigid planning! To no one's surprise, the weekend goes horribly wrong when the girls start resenting being boxed into Marnie's idea of how their vacation and their relationships should work.
