Starring Kristen Stewart and Alia Shawkat, The Wrong Girls is the new girl-buddy-stoner comedy of the summer.
Nimrods Review: Welcome to Paradise, Population Three
Nimrods follows the coming-of-age misadventures of a punk band set to a familiar soundtrack featuring the film’s inspiration, Green Day.
The End of Oak Street Review: A Creature Feature with Bite
David Robert Mitchell's Amblin-inspired creature feature has bloodthirsty bite, blending suburban angst and savage dinosaur mayhem into a fun thrill ride.
The Rivals of Amziah King Review: It’s the Bees’ Knees
Matthew McConaughey stars in The Rivals of Amziah King, a bluegrass-fuelled, honey-toned odyssey that's a true original.
The Last House Review: A Horror-Filled Staycation
The Last House is a movie with a lot of potential to be great, but plot holes and poor execution hold it back.
Ice Cream Man Review: A Gruesomely Sweet Ride with Baggage
Eli Roth knows that audiences come to his films for the violence, but with AI and a truly thin plot, is that enough this time?
Super Troopers 3 Review: Old Dogs and New Tricks
Nothing in Super Troopers 3 will surprise you, but it feels like a reunion with an old friend.
One Night Only Review: What If The Purge Was A Rom-Com?
Beneath its outrageous premise, One Night Only is a surprisingly sweet love story about chemistry, connection, and finding “the one” before time runs out
I Want Your Sex Review: Where Has the Horniness Gone?
Gregg Araki is asking pertinent questions about why Gen Z doesn't want to talk about (or have) sex. But does his latest film give us any answers?
Spider-Man: Brand New Day Review: Spidey Gets Back to Basics
Spider-Man: Brand New Day presents the MCU's most comic-book-accurate Spidey yet, and a welcome return to basics for the Ol' Web-Head.
Hadestown: The Musical Review: A Gold Standard for Filmed Theatre
With thrilling songs, show-stopping performances, and stunning production, Hadestown: The Musical is the new gold standard for filmed theatre.
Her Private Hell Review
Nicolas Winding Refn's Her Private Hell is an unforgettable Neo-Noir thriller that will surely make you think about what cinema is.
Sheep in the Box Review
Can having a robotic version of your child bring you healing and inner peace? Hirokazu Kore-eda attempts to answer that question in Sheep in the Box.
The Odyssey Review: A Deep Dive into Christopher Nolan’s Epic
Surprisingly, Christopher Nolan's The Odyssey works more as a personal story than one focused on the travails of the Greek gods.
Camp Review: Avalon Fast’s Promising but Uneven Genre-Bender
Despite CAMP's shortcomings, Avalon Fast's combination fantasy/drama/horror film has moments you can really respect.