Andrew Roberts

Andrew Roberts is a graduate of the University of Toronto, where it only took one look at Wong Kar-wai’s In the Mood for Love for him to continue taking classes at the Cinema Studies Institute. He later went on to earn his master’s in journalism from Toronto Metropolitan University. Over five years of covering the arts, Andrew has written for Exclaim!, This Magazine, Film Matters, The Review of Journalism, and his own Substack, The Ferryman. When away from the cinema, he enjoys peanut M&Ms, The Strokes, playing JRPGs, and having a totally healthy relationship with Letterboxd, @robatss.


Articles by Andrew Roberts:


  • Yeo Yann Yann and Andi Lim in We Are All Strangers
    September 10, 2026

    We Are All Strangers Review: TIFF 2026

    While We Are All Strangers documents a rapidly changing Singapore, Anthony Chen relies too heavily on despair, leaving the film less fulfilling.

  • Sebastian Stan and Vanessa Ceban in Fjord
    September 10, 2026

    Fjord Review: TIFF 2026

    Cristian Mungiu’s script is able to ride the line between cultural extremes and lands at a basic lesson on humanism

  • Virtual Girlfriends
    May 15, 2026

    Virtual Girlfriends Review: Hot Docs 2026

    An aggressively accurate and bleak look at the OnlyFans industry that might be lucrative for a small few, but a majority of models struggle to make it work.

  • Myspace
    May 3, 2026

    MySpace Review: Hot Docs 2026

    Myspace reminds us that Tom was never really our friend, but just another business tycoon hidden behind a friendly face.