Who really killed Hannibal's fourth season and how can we keep other fan-loved shows alive?
“The Wrath of The Lamb,” was not made to be Hannibal’s final episode, but it is, and it’s a perfect one at that.
"The Number of the Beast is 666" puts Jack Crawford in the role of God and asks Frederick Chilton to reflect on his faith.
In "...And the Beast from the Sea" Hannibal Lecter goes Old Testament on the Graham family with a little help from his friend, Francis Dolarhyde.
“... And The Woman Clothed in Sun” is the first Red Dragon adaptation to truly capture the essence of Francis Dolarhyde, despite there being two films based around his moonlit killing spree.
“...And The Woman Clothed With the Sun” is all about the pathos of wanting a family.
The back half of Hannibal's final season will be the most artful telling of a conflict older than living memory: vampires versus werewolves.
Even if Hannibal ended with "Digestivo," the series would be remembered as a masterful prequel to one of literature’s most beloved horror thrillers.
"Dolce" gives us food for thought as we prepare to say our goodbyes.
"Contorno" shows us who Hannibal Lecter is to his predators, his prey, and his proverbial pride.
Mason Verger and Frederick Chilton face off with their faces off in "Aperitivo".
The most critical keepsake Hannibal Lecter ever removed from a victim was Will Graham’s ravenstag.
Hannibal is a show about the pain of empathy, and "Mizumono" hurts. The finale brings the Ravenstag story arc to a conclusion in a brutal way.
When it comes to understanding exactly what to expect from Hannibal, the two most important characters are symbolic representations of who Will Graham and the titular serial killer are not. At least not anymore.
“Tome-Wan” is Hannibal at its most distilled and sustained. Showcasing the series’ underlying dark humour, this is the tightest, most mesmerizing hour of the series. To use the words of Mason Verger: I am enchanted and terrified.