The most deceptively complex Canadian film of the year, Don't Get Killed in Alaska is a powerfully subtle family drama.
Considering that the major showpieces of this year’s opening Short Cuts Canada program are a restorations of a pair of iconic national classics, it only stands to reason that the rest of the films should fall in nicely behind them. Recently restored to its 3D glory for the digital age, Norman McLaren’s stereoscopic opus Around […]