Best International Feature
Renate Reinsve delivers a star-making performance in The Worst Person in the World
The Hand of God Review: An Eye for Beauty
Paolo Sorrentino offers his most personal film to date.
Drive My Car Review: A Road Trip Through the Soul
The note-perfect Drive My Car is a road movie through the soul and an odyssey well worth taking. You’ll feel transformed by the journey’s end.
Canada Submits Drunken Birds in Oscar Race
Drunken Birds, a Canadian-Mexican co-production about a man on the run from the drug cartel who finds work at a Quebec farm, will represent Canada in the Oscar race for Best International Feature.
The Man Who Sold His Skin Review: Still Life
This Best International Feature Oscar nominee sees the human migration crisis collide with wayward arts biz.
Quo Vadis, Aida? Review: The Horror of Not Trying
Bosnia-Herzegovina's Oscar nominee Quo Vadis, Aida? is deeply powerful.
Collective Review: The Power of Journalism
Alexander Nanau's searing and sickening look at Romania's healthcare system in the wake of the 2015 Colectiv nightclub fire that left 64 dead.
Dear Comrades Review: Or, How We Learned to Stop Worrying About Commie Lies
Directed by Andrey Konchalovskiy, Russia's Oscar bid Dear Comrades is a strikingly composed feat.
My Little Sister Review: Playing Dead
Nina Hoss and Lars Eidinger star in Swiss drama about death and theatre.
Funny Boy Review: Pigs Can Fly If You Want Them To
Deepa Mehta's adaptation of Shyam Selvadurai's Funny Boy is a warm embrace of a movie.
The Life Ahead Review: Loren’s Timeless Grace
Loren gives a performance of great maturity, depth, wisdom, and grace.
Awards Shelf: What Could Be Canada’s Oscar Submission?
Could Deepa, Nadia, or Maria have a date with Oscar?
TIFF 2020: Night of the Kings Review
Canadian co-pro is a lean tale masterfully told.
The Criterion Shelf: Best Foreign Language Film Winners
Overwhelmed by options on the Criterion Channel? Bil Antoniou is your guide to the site's collections and wants to tell you where to start first.
Les Misérables Review: Ladj Ly’s Oscar Nominee Marks a Bold New Voice
This isn't your mom's Les Mis!