The Man Who Sold His Skin Review: Still Life
This Best International Feature Oscar nominee sees the human migration crisis collide with wayward arts biz.
Best International Feature
Quo Vadis, Aida? Review: The Horror of Not Trying
Bosnia-Herzegovina's Oscar nominee Quo Vadis, Aida? is deeply powerful.
Collective Review: The Power of Journalism
Alexander Nanau's searing and sickening look at Romania's healthcare system in the wake of the 2015 Colectiv nightclub fire that left 64 dead.
Dear Comrades Review: Or, How We Learned to Stop Worrying About Commie Lies
Directed by Andrey Konchalovskiy, Russia's Oscar bid Dear Comrades is a strikingly composed feat.
My Little Sister Review: Playing Dead
Nina Hoss and Lars Eidinger star in Swiss drama about death and theatre.
Funny Boy Review: Pigs Can Fly If You Want Them To
Deepa Mehta's adaptation of Shyam Selvadurai's Funny Boy is a warm embrace of a movie.
The Life Ahead Review: Loren’s Timeless Grace
Loren gives a performance of great maturity, depth, wisdom, and grace.
Awards Shelf: What Could Be Canada’s Oscar Submission?
Could Deepa, Nadia, or Maria have a date with Oscar?
TIFF 2020: Night of the Kings Review
Canadian co-pro is a lean tale masterfully told.
The Criterion Shelf: Best Foreign Language Film Winners
Overwhelmed by options on the Criterion Channel? Bil Antoniou is your guide to the site's collections and wants to tell you where to start first.
Les Misérables Review: Ladj Ly’s Oscar Nominee Marks a Bold New Voice
This isn't your mom's Les Mis!
Pain & Glory’s Antonio Banderas on Finding Himself Again
Antonio Banderas spoke to That Shelf about Pedro Almodóvar’s Pain & Glory, where he plays an aging film director who reflects upon his career, creative stagnation, and the rich life that inspired his passion for the cinema.
Monos Review: Colombian Oscar Entry Thrills
The Colombian Oscar entry Monos offers an exciting contender in the upcoming Oscar race – and it opens today at TIFF! Read Pat Mullen's full review!
