Best International Feature
Birdman and The Revenant director Alejandro González Iñárritu looks back at his career in a state of meditative limbo in Bardo.
Close Review: A Tale of Love and Friendship
Lukas Dhont delivers a heartbreaking tale of love and friendship i Close, fuelled by young actors Eden Dambrine and Gustav De Waele.
Magnificent Obsession: Park Chan-wook Talks Decision to Leave
An interview with Decision to Leave director Park Chan-wook on his enigmatic and melodramatic new thriller that'll leave audiences guessing.
All Quiet on the Western Front Review: Anti-War Excellence
Edward Berger's adaptation of the classic novel All Quiet on the Western Front is a masterfully realized feat of filmmaking.
TIFF 2022: EO Review
Enduring hardship and strife, as well as kind words and attention along the way, EO’s journey is a beautiful, maddening, sentimental, heartbreaking, and humourous one. Plus, there’s a top-notch cameo from Isabelle Huppert!
Lunana: A Yak in the Classroom Review – Happy Norbu
Bhutan's Oscar nominee for Best International Feature, Lunana: A Yak in the Classroom finds pleasure in simplicity.
The Worst Person in the World Review: Pure Millennial Love
Renate Reinsve delivers a star-making performance in The Worst Person in the World
The Hand of God Review: An Eye for Beauty
Paolo Sorrentino offers his most personal film to date.
Drive My Car Review: A Road Trip Through the Soul
The note-perfect Drive My Car is a road movie through the soul and an odyssey well worth taking. You’ll feel transformed by the journey’s end.
Canada Submits Drunken Birds in Oscar Race
Drunken Birds, a Canadian-Mexican co-production about a man on the run from the drug cartel who finds work at a Quebec farm, will represent Canada in the Oscar race for Best International Feature.
The Man Who Sold His Skin Review: Still Life
This Best International Feature Oscar nominee sees the human migration crisis collide with wayward arts biz.
Quo Vadis, Aida? Review: The Horror of Not Trying
Bosnia-Herzegovina's Oscar nominee Quo Vadis, Aida? is deeply powerful.
Collective Review: The Power of Journalism
Alexander Nanau's searing and sickening look at Romania's healthcare system in the wake of the 2015 Colectiv nightclub fire that left 64 dead.
Dear Comrades Review: Or, How We Learned to Stop Worrying About Commie Lies
Directed by Andrey Konchalovskiy, Russia's Oscar bid Dear Comrades is a strikingly composed feat.
My Little Sister Review: Playing Dead
Nina Hoss and Lars Eidinger star in Swiss drama about death and theatre.