Joyland Review: Joyous, Groundbreaking Cinema
Pakistani filmmaker Saim Sadiq's Oscar-shortlisted Joyland is a landmark for queer storytelling that gives its transgender lead a full life and agency.
Best International Feature
Lukas Dhont on Close and the Poetry of Youth
An interview with Lukas Dhont about his Oscar nominee Close, working with actors Eden Dambrine and Gustav De Waele, and finding hope in youth.
Bardo Review: Chronicle of a Handful of Films
Birdman and The Revenant director Alejandro González Iñárritu looks back at his career in a state of meditative limbo in Bardo.
Close Review: A Tale of Love and Friendship
Lukas Dhont delivers a heartbreaking tale of love and friendship i Close, fuelled by young actors Eden Dambrine and Gustav De Waele.
Magnificent Obsession: Park Chan-wook Talks Decision to Leave
An interview with Decision to Leave director Park Chan-wook on his enigmatic and melodramatic new thriller that'll leave audiences guessing.
All Quiet on the Western Front Review: Anti-War Excellence
Edward Berger's adaptation of the classic novel All Quiet on the Western Front is a masterfully realized feat of filmmaking.
TIFF 2022: EO Review
Enduring hardship and strife, as well as kind words and attention along the way, EO’s journey is a beautiful, maddening, sentimental, heartbreaking, and humourous one. Plus, there’s a top-notch cameo from Isabelle Huppert!
Lunana: A Yak in the Classroom Review – Happy Norbu
Bhutan's Oscar nominee for Best International Feature, Lunana: A Yak in the Classroom finds pleasure in simplicity.
The Worst Person in the World Review: Pure Millennial Love
Renate Reinsve delivers a star-making performance in The Worst Person in the World
The Hand of God Review: An Eye for Beauty
Paolo Sorrentino offers his most personal film to date.
Drive My Car Review: A Road Trip Through the Soul
The note-perfect Drive My Car is a road movie through the soul and an odyssey well worth taking. You’ll feel transformed by the journey’s end.
Canada Submits Drunken Birds in Oscar Race
Drunken Birds, a Canadian-Mexican co-production about a man on the run from the drug cartel who finds work at a Quebec farm, will represent Canada in the Oscar race for Best International Feature.
The Man Who Sold His Skin Review: Still Life
This Best International Feature Oscar nominee sees the human migration crisis collide with wayward arts biz.
Quo Vadis, Aida? Review: The Horror of Not Trying
Bosnia-Herzegovina's Oscar nominee Quo Vadis, Aida? is deeply powerful.
Collective Review: The Power of Journalism
Alexander Nanau's searing and sickening look at Romania's healthcare system in the wake of the 2015 Colectiv nightclub fire that left 64 dead.
