Government Cheese is a charming blend of drama, comedy, and surrealism. Using a Brady Bunch -esque, 1969 San Fernando Valley as a setting, it introduces a nuclear family, the Chambers, as they attempt to reconnect when father Hampton Chambers gets released from prison.
Could films like The Fall Guy help to correct the course for modern action romantic comedies? The Ryan Gosling/Emily Blunt crowdpleaser arrives on Blu-ray this week.
The Oscar nominees for Best Live Action Short Film are Invincible , The Wonderful Story of Henry Sugar , The After , Knight of Fortune and Red, White, and Blue .
Filmmaker Jeymes Samuel brings originality and some truly inspired casting to make The Book of Clarence something truly worth seeing.
'Silo,' premiering with two episodes today on Apple TV+, is a cliche and generic dystopian adaptation held back by its source material.
Doug Liman's wannabe series starter, starring Tom Holland and Daisy Ridley, delivers decidedly mixed results.
George Clooney proves (again) that he can really carry a movie, but can't necessarily direct one.
Our exclusive interview with Demián Bichir about his role in George Clooney's Netflix film The Midnight Sky .
David Oyelowo's directorial debut The Water Man tells a heartfelt mythical tale about facing our worst fears.
Ben & Daniel spoil The Cloverfield Paradox , discuss what impact Netflix is having on the moviegoing experience, and the latest news on a number of upcoming comic book movies.
We speak with actor Stephan James, the Toronto-born star of Race , a film that tells the remarkable tale of Jesse Owens' triumph at the 1936 Munich Olympics.
A wonderful and precise historic drama, Selma is a humanist retelling of an important (and still relevant) moment in American history.
Lee Daniels' The Butler is a strange kind of film that tries to avoid the standard pitfalls of the biopic by being somewhat irreverent, and it nearly succeeds.
In one of the most bizarre studio and ego driven productions to be released from a major studio this year, Jack Reacher manages to be too surreal to appeal to action fans and it’s too lunkheaded to appeal to proper cineastes. It’s simultaneously a better version of Alex Cross and a worse reimagining of MacGruber. It’s equally as awesome and awful as that sounds.
Fleetingly campy and sleazy at the opening and closing, The Paperboy is ultimately too boring during the middle hour of the film to leave any sort of lasting impression outside of the film's most bizarre moments.
