With Crimes of the Future, David Cronenberg reminds us that he's Canada's best and boldest filmmaker. And who expected Kristen Stewart and Don McKellar to be such a dream team?
Toronto's own auteur David Cronenberg returns to Cannes with his decidedly hot and "red" CRIMES OF THE FUTURE.
Bent Hamer's The Middle Man offers a uniquely absurd-yet-emotional take on the denizens of a small town.
Midnight Express meets Spotlight in this riveting thriller.
The seventh annual National Canadian Film Day event will celebrate Canada's cinematic culture through online screenings and livestreams.
Don McKellar talks to The Shelf about returning to CBC's Michael: Tuesdays and Thursdays five years later, working with Ed Asner, and the best way to get people's attention in an oversaturated market.
This Canadian/ Brazilian coproduction is an ambitious and clever Kaufmanesque comedy with plenty of talent behind it. For a mixed media meta good time, go see Zoom.
TMN's documentary series Reelside consists of six episodes, each concentrating on a different group of filmmakers. Each part is unique but forms a cohesive unit that subtly reinforces pride in film talent that just happens to be Canadian.
Just a few of the snaps we took of last night's Canadian Screen Award winners followed by the full list of winners.
We chat with Taylor Kitsch and Liane Balaban about their new film The Grand Seduction, Tim Riggins, the people who've made them feel special, and Hugh Jackman.
Don McKellar's remake of The Grand Seduction is a warmhearted, laid back comedy that might not be too original, but it hits the mark everywhere that counts.
A waste of lots of great Canadian talent, Three Days in Havana makes absolutely no sense narratively or tonally.
Here it is! Your one-stop guide to all of our reviews, interviews, and features for anything and everything involving the 2013 Toronto International Film Festival. Keep checking back throughout the day as new reviews, interviews, and features are being added all the time!
Dork Shelf talks to director and actor Don McKellar about his return to feature film directing with The Grand Seduction (debuting Sunday September 8th at TIFF) and about how people perceived his time away from filmmaking, the script that tempted him to come back, shooting on location in Trinity Bay, the different stresses between city filming and country filming, and what Gleeson brought to his role and to the set.