TIFF 2017: Mary Shelley Review.
Though not as sharp as the original novel, Pride and Prejudice and Zombies is nevertheless a diverting and empowering piece of fan-fiction.
Dork Shelf and Soda Pictures Canada want to send you and a guest to an advanced screening of The Riot Club on Tuesday, March 24th!
Noah (Darren Aronofsky, 2014) – The most remarkable aspect of Darren Aronofsky’s Noah is simply the fact that it exists. It’s not supposed to be possible for an idiosyncratic director to get a massive blockbuster budget to make a challenging and thought-provoking movie no matter how many battle scenes are wrapped around the ideas. More […]
Definitely not a straight-faced biblical epic, the first 90 minutes or so of Darren Aronofsky's Noah is a highly entertaining fantasy epic with scope and grandeur. The remaining 40 minutes is exactly the same kind of sour and dour film Aronofsky has made throughout his career thus far. It's okay overall, but wildly uneven.
There’s almost nothing that I can say about Carlo Carlei’s big screen staging of Romeo and Juliet. It would be redundant to say there’s nothing here that you haven’t already seen before, and yet it’s worse than that. This is EXACTLY what you have seen before. It’s a drab, lifeless Shakespearean melodrama perked up ever so slightly by a few decent performances that does absolutely nothing whatsoever to warrant its existence.
This week's a busy one at the video store, as we take a look at Chronicle, Hard Core Logo 2, a BBC remounting of Great Expectations, Rampart, Albert Nobbs, the first season of Hell on Wheels, Wrestlemania XXVIII, and a very brief, curt message about The Devil Inside.
