“I Hope You Dance” concludes a solid, emotional, and riveting sophomore season of the one and only Lady centric Western Supernatural gun-slinging, pun-making, heart-wrenching series.
“Gone As A Girl Can Get” is a brand new world — literally. The Iron Witch’s wish to whisk Wynonna away has created a new world where the Earp heir is erased.
“Ko No Mono” shifts to an unreliable narrator, allowing us to experience the first truly heartbreaking moment in Hannibal. Using the most iconic image from Red Dragon, we also get a glimpse at who’s really pulling the strings in this show.
“G.I. Jeff” constantly delivers nostalgic 80’s animated fan service, but Community has set a strong precedent for making these fun departures into character exploration exercises, so there is an implied mystery afoot as well: Who is imagining this? Why? And does it matter?
The finale was a beautiful end to the best season of Girls so far. Along with Dunham, Judd Apatow has helped create the second chapter in his experimental analysis of generational distress. Whether you like it or not, this is the Freaks and Geeks of the twenty-something generation. This is Lindsay Weir and Neal Schweiber wearing skinny jeans instead of puffy vests. This is Kim Kelly and Daniel Desario trying coke instead of smoking pot.
This season Girls has become more focused than ever on using subtly themed episodes to test its characters like lab rats. The biggest thematic thread (or piece of cheese, depending on which metaphor you go with here) has been the notion of settling. This episode, the show asked some tough questions: Are you actually content, or are you unknowingly giving up a piece of yourself? Are you deluded if you’re happy with something seemingly imperfect?