Spotlight tells the true story of the Boston Globe's pulitzer prize winning story on the Catholic Church's attempts to cover up child molestation. An excellent ensemble drama about the dying art of investigative journalism that's sure garner awards attention.
Love is an often unkind, sordid little film about unlikable characters doing unlikable things, yet when you strip away the superficial and immature sexuality it’s actually quite a moving and engaging work.
It would be easy to dismiss By The Sea as an excuse for a celebrity couple to shoot a glamorous film in an exotic locale, but writer/ director Angelina Jolie Pitt has created a contemplation of marriage that is actually artistic and noteworthy.
Gone are the days when DeNiro appearing in a film meant it was probably worth your time, yet Heist proves that he's still enough of a draw to get schlock like this theatrical distribution.
We speak with comedian/ writer/ actor Gregg Turkington about his new film Entertainment, working with Peyton Reed on Ant-Man, and what's on his Dork Shelf.
Less a war film than a story about what war is really like, Kilo Two Bravo is an astonishing work of both beauty and bravery.
Brian d'Arcy James spills the beans on playing Shrek in the Broadway musical hit and teaming up Michael Keaton, Mark Ruffalo and Rachel McAdams in the ensemble Oscar contender Spotlight.
Dory struggles to remember where she comes from in the first trailer for the sequel to Finding Nemo.
Elena and Meg talk Room, the ladies-only Ocean's 11, the new Star Trek, Supergirl, and more.
With James Bond going through the motions yet again in Spectre, it's time for them to kill their darling 007 and make way for a spy by another number.
We break down the reasons why the PIxar's Inside Out Blu-ray deserves a spot on your Dork Shelf.
Spectre could very well be Daniel Craig's swan song as Bond, and it just seems like his heart isn't in it... nor anyone else's for that matter.
Never let your children go trick-or-treating with deadly mercenaries.
Victoria is a heist film shot in one extended 2.5 hour take, but does it succeeds on levels apart from the technical?
The Keeping Room has a promising premise and several ingredients for a successful bit of genre bending filmmaking, but the various elements never quite gel as well as they could or should.
