Camp Review: Avalon Fast’s Promising but Uneven Genre-Bender
Despite CAMP's shortcomings, Avalon Fast's combination fantasy/drama/horror film has moments you can really respect.
film
Steal Away Review
Clement Virgo's haunting and surreal thriller Steal Away cements him as one of Canada's most dynamic talents.
TIFF Adds Five Titles and Star Power to Special Presentations
TIFF adds five titles to the Special Presentations line-up featuring stars like Cate Blanchett, Naomi Watts, Mahershala Ali, and Margaret Qualley.
AI: Artificial Intelligence at 25: Revisiting Steven Spielberg’s Masterpiece
We're closer than ever to artificial intelligence; let's revisit Steven Spielberg's film and see what it says about our collective anxiety.
Racewalkers Review: Big Jokes, Big Heart
With real heart and big laughs, Kevin Claydon and Phil Moniz's comedy is an irresistible underdog story made to be enjoyed with a crowd.
Gail Daughtry and the Celebrity Sex Pass Lets Audiences Embrace the Stupid
Gail Daughtry and the Celebrity Sex Pass director David Wain tells us about embracing the silly side of life in his comedy about one woman's quest to bang Don Draper.
Lucid Review: Ugly Art Can Be So Punk
The experimental punk film LUCID isn't meant to be beautiful. It's "ugly and honest" as it unpacks trauma, identity discovery, and the exploratory nature of art.
Being Heumann to Open TIFF 2026
Being Heumann, about disability rights activity Judith Heumann, will open the 2026 Toronto International Film Festival (TIFF) on Sept. 10.
The Invite Review: Take a Walk on the Wilde Side
Olivia Wilde's The Invite delivers a ferociously funny, artfully messy, and authentic study of hormone-fuelled humour with one of the year's best ensembles.
Minions & Monsters Review: Mini Mischief Makers Return for A Winning Prequel
In the third prequel in the long-running series, Minions & Monsters the miniature yellow mischief makers return for another unexpectedly winning entry.
The Classics Shelf: The Top Ten Non-American Films of the 1950s
In the latest edition of The Classics Shelf, Bil Antoniou spotlights world cinema by picking the best non-American films of the 1950s.
Rose of Nevada Review: A Hallucinatory, Time-Bending Mind-Trip
Cornish filmmaker Mark Jenkin returns with Rose of Nevada, a hallucinatory, time-bending mind-trip.
Supergirl Review: A Case of Intergalactic Growing Pains
For all its over-the-top characters and catchy needle drops, Supergirl offers a darker and moodier return to the DC universe.
The Best Films of 2026 So Far: Is this the Year of Horror?
The best films of 2026 so far include 28 Years Later: The Bone Temple, Obsession, Backrooms, Disclosure Day, The Furious, Nuisance Bear, Late Shift, and more!
Blood Lines Review: Feature Doesn’t Live Up to Its Potential
Gaul Marice's latest film, Blood Lines, aims to be a deep film about Métis culture and family roots, but it stumbles throughout.
