Everybody Knows Review
Director Asghar Farhadi's riveting drama is a moral fable disguised as a potboiler that pulls the strings on a deceptively familiar premise.
France
Reel Asian International Film Festival Unveils Its 2018 Slate
Reel Asian, Toronto's annual celebration of pan-Asian cinema, has announced its 2018 slate.
TIFF 2017: Call Me By Your Name Review
TIFF 2017: Call Me By Your Name Review.
Loose Cannons Episode #62 – Nana, the True Key of Pleasure
On this week's episode of Loose Cannons, Mathew and Justin get an extra special treat with 1983's Nana, the True Key of Pleasure. That might be a lie.
Elle: Isabelle Huppert on Her Provocative Role, Playing a Game Developer, and Movies that Drive Her
We spoke with Elle star Isabelle Huppert about bringing the character to life, working with Paul Verhoeven, and about movies that continue to drive her own passion.
Elle: Paul Verhoeven on Isabelle Huppert, Femme Fatales, and Making Movies in Hollywood
Master filmmaker Paul Verhoeven discusses his controversial new film Elle, the power of Isabelle Huppert, and the abortive attempts to make the provocative movie stateside.
TIFF 2016: Nelly Review
TIFF 2016 Nelly review
TIFF 2016: Nocturama Review
TIFF 2016 Nocturama review.
Ed Skrein on The Transporter Refueled, Game of Thrones, and Deadpool
We talk The Transporter Refueled with Game of Thrones and Deadpool actor Ed Skrein.
You Should Be Watching: 3 Shows Better Than The Walking Dead
While The Walking Dead may be the most popular zombie show on TV, it is certainly not the best one out there. Yes. We said it. Here are three zombie shows you should be watching instead.
Amour Review
Signing up for un film de Michael Haneke guarantees that you’ll be shocked and emotionally shattered at some point during a chilly slow burn European think piece. So, it’s not exactly a relaxing night of escapism. Haneke’s latest project Amour might be one of his trickiest films to watch yet in that regard. For large portions of the running time, you’ll actually find yourself becoming deeply emotionally invested and even experiencing moments of genuine warmth. Don’t worry though, that’s all part of his plan.
Holy Motors Review
Writer/director Leos Carax’s deeply, satisfyingly bizarre Holy Motors is a film that almost seems to go out of its way to defy classification. Put a gun to my head and I guess I’d describe it as an art house romp, but even that doesn’t quite seem right.
TIFF 2011: Outside Satan Review
Everyone, from the most devout Catholic to effusive evangelist, has a concept of Jesus and Satan, and what he or she would look like if they ever manifested in human form. But there is no concept, and the devil, or Jesus, could be a rich man or a strange drifter. Award-winning French director Bruno Dumont ‘s new film Outside Satan is a strange, disquieting and disturbing film about a drifter who could be Jesus or Satan, or perhaps both.
Moebius: Transe-Forme Exhibit in Paris
If you find yourself in or around Paris, France between now and March 13th, I am extremely jealous of you. There is a very special art exhibition taking place at the Fondation Cartier. The spectacular exhibit, titled Moebius: Transe-Forme, is an expansive collection of the work of vaunted comics illustrator, cartoonist and artist Jean Giraud, also known as Moebius.
TIFF 2010
The Illusionist Review
The Illusionist is director Sylvain Chomet's follow-up to the hugely successful The Triplets of Belleville, and while he is able to top his previous efforts' aesthetic beauty and craftsmanship, the story is perhaps too subtle and minimal to really draw viewers in.
