Oculus is a smart, well acted, and deeply scary film that never treats the audience for a horror film like brain dead zombies who just want a gory, lazy geek show with a bunch of loud noises, whip pans, and smash cuts.
We catch up with Oculus director Mike Flanagan to talk about adapting his own short to feature length, why it’s hard to pitch a movie about a killer mirror, how his lead actors went to great lengths to research their roles for a simple genre film, and how he kind of nerded out working with cast members from Doctor Who and Battlestar Galactica.
Enter for a chance to win a pair of passes to an advance screening of Oculus in Toronto, Montreal, or Vancouver on Wednesday, April 9th at 7:00pm, courtesy of Dork Shelf, Elevation Pictures, and VVS Films!
Oculus Midnight Madness Director: Mike Flanagan Told with a great deal of ambition and style, the “possessed random object” subgenre of horror movies (and the even narrower subgenre of such films using mirrors) gets a much needed shot in the arm with Flanagan’s tightly plotted and original story. Oculus begins by showing 21 year old […]
If you’re a fan of Bill Willingham’s amazing Eisner award-winning comic book series Fables, then you’ve probably heard the recent announcement that the DC/Vertigo series is being developed for the silver screen. Here’s our list of dream casting for the upcoming Fables movie!
The last time we heard from our favourite Gallifreyan and his time-traveling companions, Amy Pond had given birth to a baby girl named Melody. She and her baby had been held against their will by the Clerics, an organization led by Madame Kovarian intent on using Melody as a weapon. Ten thousand light-years away, the Doctor and the Last Centurion assembled an army to recover the female Ponds. Unfortunately, nothing went to plan and a lot of people died.
Spoiler Warning: "The Rebel Flesh" (6.5) and "The Almost People" (6.6). Also, I wouldn't read any further into this post unless you've watched the entirety of "A Good Man Goes To War" (6.7) right to the very end. I mean to the last second. You've been warned, alright? Spoilers.
I knew going into "The Rebel Flesh" and "The Almost People" that I wasn't going to like these episodes at all. After watching the trailer for this two-parter, the episodes immediately felt like the dismal Silurian two-parter in Series Five - "Cold Blood" and "The Hungry Earth". Both two-installment stories deal with representations of humanity and a war between humans and their human-like counterparts (now enemies).
This is the episode that Whovians have been waiting 47 years for, but just didn't know it. With a woman-turned-TARDIS, companions running through actual TARDIS corridors and Neil Gaiman on board, it would be very hard to go wrong. There is no doubt that "The Doctor's Wife" will go down as one of the most iconic episodes within both Series Six and the decades-spanning television series Doctor Who as a whole.
The Doctor, Amy and Rory have decided to go on adventures after three months of fighting The Silents. Their first stop is a pirate ship manned by one Captain Avery. Avery and his fellow pirates are being picked off one by one by a siren who can smell even the smallest drop of blood. Episodes immediately following the premiere episode are least spectacular episodes of each series. They are often self-contained stories that are lighter in theme that usually go back in time rather than forward. Series Six's "Curse of the Black Spot" follows in this same vein, but thankfully for Doctor Who audiences,"Curse of the Black Spot" blows the previously mentioned episodes out of the water.
As I said in my review, the first episode of Doctor Who Series Six —"The Impossible Astronaut" — was filled with elaborate narrative arcs and characters on the brink of disaster. The second part to this two-parter serial — "Day of the Moon" — does nothing in the way of answering questions or alleviating any of the tension introduced in the previous episode.
In the previous series, Steven Moffat hit the ground running, creating one of the most entertaining collections of episodes in Doctor Who history. With the eleventh incarnation of The Doctor garnering an impressive amount of critical praise and fan approval, its understandable that Moffat's sophomore effort is one of the most highly-anticipated television shows of the year.
The new season of Doctor Who begins in a little over two weeks on April 23. I don't think I've quivered with this much anticipation since the new series began five or so years ago. I went into the last season with mixed feelings. I had full confidence in new head writer Stephen Moffat, but was worried about the loss of David Tennant. All I can say now is, David who (yes, pun intended)?