Kevin Durand

Fruitvale Station Review

Despite some questionable narrative elements, the still powerful Fruitvale Station tells a tragic tale with one of the best performances in screen history from Michael B. Jordan. That's not hyperbole. His is the kind of performance that makes a decent film positively superlative.

This Week in DVD: 1/8/13

As we dig out from piles of new releases from before and after the holiday season, we take looks at the home video releases for Looper, Frankenweenie , Cosmopolis , Dredd , Pitch Perfect , Compliance , The Words , Hit and Run , and season one of Anger Management

Resident Evil: Retribution Review

Resident Evil: Retribution sadly takes a turn for the worse despite some grand action sequences, strong female characters, and great use of 3D. It simply makes the storyline far too complicated for its own good; jerking the audience around like it’s”¦ well”¦ a bad video game.

This Week in DVD: 8/28/12

Another busy week at the video store as Battleship blasts its way onto home video, alongside Starship Troopers: Invasion , some Can-con with Edwin Boyd: Citizen Gangster and A Beginner's Guide to Endings , the documentary sequel Paradise Lost 3: Purgatory , the genuinely funny horror comedy A Little Bit Zombie , and the God awful "horror comedy" Jersey Shore Shark Attack .

Interview: Kevin Durand on Cosmopolis

We talk to one of our favourite people to interview, Mr. Kevin Durand about his role in David Cronenberg's Cosmopolis , his preparation for such an intense acting challenge, and why Robert Pattinson's height helped his sense of job security.

Cosmopolis Review

While a challenging film for average viewers to get involved with David Cronenberg's big screen adaptation of Don DeLillo's Cosmopolis holds a lot to like for attentive viewers with great acting and dialogue, but very little of Cronenberg's own personality in favour of focusing on DeLillo's.

Edwin Boyd: Citizen Gangster Review

Featuring a great leading performance from Scott Speedman, Edwin Boyd: Citizen Gangster stands to be one of the best English language Canadian films in quite some time, and it marks director Nathan Morlando’s debut as a filmmaker to watch for in the future.