Fading Gigolo is a baffling failure. A film that comes with a killer, easy to pull off hook, that seems to have no clue what it's doing and no characters whatsoever.
We review the one new film at The Bloor this week, a look inside the US Federal Reserve in Money for Nothing, and look ahead to a slew of events over the next two weeks, including return engagements of all of this years Oscar nominated documentary features, the Oscars themselves, several returning series, and an appearance from famed stand-up comedy icon Paul Mooney.
The Last Days on Mars On the last day of the first manned mission to Mars, a crew member on Tantalus Base believes he’s made an astounding discovery – fossilized evidence of bacterial life. Unwilling to let the relief crew claim all the glory, he disobeys orders to pack up and goes out on an […]
Lee Daniels' The Butler is a strange kind of film that tries to avoid the standard pitfalls of the biopic by being somewhat irreverent, and it nearly succeeds.
Despite a great lead performance from Riz Ahmed, the decade spanning terrorism thriller The Reluctant Fundamentalist sacrifices a genuinely interesting character study for rote predictability.
What We Talk About When We Need to Talk About We Need to Talk About Kevin, Goon, and the second season of Rookie Blue.
Wrapping up a week's worth of Goon coverage, Dork Shelf talks to Goon star Seann William Scott about why Doug "The Thug" Glatt was less of a challenge than playing Stiffler a fourth time, what it's like to finally get into hockey after never playing as a kid, and his deep and almost nerdy love of movies.
Calling Goon this generation's Slap Shot would be an understatement. Aside from the obvious surface comparisons to the George Roy Hill/Paul Newman classic about a minor league hockey team going nowhere, director Michael Dowse (Fubar) and co-writer/co-star Jay Baruchel have created a film that outdoes what many hail as the greatest hockey comedy ever made.
The charming and candid Marc-André Grondin talked to Dork Shelf about the upcoming hockey comedy Goon and what it’s like to play someone so irredeemable as his character, how to dress like a douche for the camera, and how challenging it can be to make a French Canadian character funny without turning it into a stereotype.
Most filmmaking is a seat of the pants endeavour fraught with pitfalls and last second changes. Nothing goes according to plan, but more often that not on major Hollywood productions things tend to go more swimmingly. That is, of course, provided that they aren’t making a sequel to one of the previous year’s biggest success stories. Scream 2 stands as a testament to director Wes Craven and writer Kevin Williamson. It's a film that managed to be almost equally as good as the original and actually far more interesting on an academic level.