That Shelf's look back at our 100 favourite movies of the decade continues with a look at 2016! What a year!
One keeps longing for romantic action in Star Wars: The Rise of Skywalker only to get rejected at every turn.
TIFF 2019: Lucy in the Sky Review
As a family, we pledged to embark upon an epic MCU rewatch before we see Avengers: Endgame – and answer the all-important question: should you watch these with your kids? Up next Thor: The Dark World!
As a family, we pledged to embark upon an epic MCU rewatch before we see Avengers: Endgame – and answer the all-important question: should you watch these with your kids? Next up 2011's Thor!
Revenge is a dish best served cold... And on the big screen! Here are the 15 Best Revenge Movies of All Time.
Alex Garland's new sci-fi thriller Annihilation has a lot going for it – from a strong cast to stunning visuals – but it ultimately feels lacking in some ways.
We speak with Ex Machina writer/director Alex Garland about his new sci-fi film Annihilation, working with Natalie Portman and Oscar Isaac, and more!
Annihilation opens across Canada February 23rd but you and a guest can attend an early screening in Vancouver, Toronto or Montreal courtesy of Dork Shelf and Paramount Pictures!
Some may blame Terrence Malick's sudden increased output for the artist repeating himself, but Knight of Cups feels like the director spent too much time playing the sandbox.
Dork Shelf wants to send you and a guest to an advanced screening of Knight of Cups in Toronto courtesy of eOne Films.
Here are trailers and clips for films in the TIFF Special Presentations programme.
As we dig out from under the pile of Blu-Ray and DVD releases that have come into the office this month, we take a look at Criterion editions of Soderbergh's underrated King of the Hill and Truffaut's Jules and Jim, Blu-rays for Thor: The Dark World, Nebraska, Wadjda, and Blue is the Warmest Color, and a DVD of the found footage thriller Banshee Chapter.
While it’s undoubtedly going to make a lot of money at the box office thanks to branding and the franchise juggernaut that fuels it, Thor: The Dark World isn’t a good movie. It might appeal to those who live only for credit stingers, plot twists that can be undone mere moments after they happen, or those who enjoy comic book epics indiscriminately, but this really does represent a turning point for the character and the series it now finds itself entrenched within.
I should preface this review with one caveat: I've never read or watched — or heard of Thor at all, really — before seeing the film. As you can probably guess from the preceding sentence, I don't even know what format of text or media from which its story originates. Colour me uneducated and largely incurious. Instead of attempting to hide this gaping hole in my nerd credentials, I'm sure that highlighting my lack of Thor knowledge will make for a pretty interesting review.