The Last Black Man in San Francisco Review
Director Joe Talbot's The Last Black Man in San Francisco portrays the relentless crime of community disintegration at the hands of gentrification.
Sundance Film Festival
Sundance 2019: Blinded by the Light Review
When it comes to crowd-pleasing narratives, Sundance has had a good ear to the ground. Director Gurinder Chadha's feel-good musical Blinded by the Light follows that tradition by mixing Bruce Springsteen's classic songs with a real life coming-of-age story.
Sundance 2019: Ms. Purple Review
Justin Chon's Ms. Purple. is a tribute to familial responsibility told from a female perspective.
Sundance 2019: The Lodge Review
With affecting performances, exceptional photography, a haunting score and a storyline that eats at you throughout, The Lodge is an extraordinary work by a talented group of actors and filmmakers.
Sundance 2019: The Last Black Man in San Francisco Review
Director Joe Talbot's The Last Black Man in San Francisco portrays the relentless crime of community disintegration at the hands of gentrification.
Wu-Tang Clan: Of Mics and Men Trailer: Is For the Children!
To gear up for Wu-Tang Clan: Of Mics and Men’s Sundance premiere, Sundance Institute and Showtime have released trailers
Eighth Grade Review
Caustic, hilarious, and wonderfully effective, Bo Burnham’s Eighth Grade may drum up anxious feelings long buried, but it does so with a wit and intelligence that’s unbeatable.
Eighth Grade: Bo Burnham on Being Old on the Internet
Comedian Bo Burnham talks about his directorial debut Eighth Grade and what it's like being an old man on the internet your mid-20s.
Hereditary Review
An exercise in dramatic tension, character drama and creepy, cultish horror, Hereditary is a fascinating hybrid that nourishes our desires to be entertained, thrilled and emotionally impacted all at once.
Hereditary: Ari Aster on Bringing his Terrifying Debut to the Screen
We had a chance to speak with Hereditary director Ari Aster about the challenges of getting his vision onto the screen, the remarkable ensemble he had to work with, and what’s next for this newly minted visionary filmmaker.
Sundance 2018: The Miseducation of Cameron Post Review
The Miseducation of Cameron Post finds a potent subject in the appalling practice of conversion therapy, but not even the fine performances from its cast can shake the film's after school special approach.
Sundance 2018: Lizzie Review
Lizzie takes a story ripe for reimagining, and despite some missteps, makes for an engaging if overwrought tale.
Sundance 2018: Eighth Grade Review
Caustic, hilarious, and wonderfully effective, Bo Burnham’s Eighth Grade may drum up anxious feelings long buried, but it does so with a wit and intelligence that’s unbeatable.
Sundance 2018: Tyrel Review
A small film with big ambitions, Sebastián Silva’s tense drama Tyrel takes its simple setup and runs with it in directions both surprising and compelling.
Sundance 2018: American Animals Review
Bart Layton’s true crime thriller American Animals is highly entertaining, highly sophisticated hybrid featuring a quartet of fine young actors.
