Justin Simien’s satirical horror-comedy Bad Hair gleefully interrogates America’s oppressive beauty standards.
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The 2020 Sundance Film Festival announced its upcoming lineup, and it includes 118 features films.
Is 2019 the year of Adam Driver?
The Colombian Oscar entry Monos offers an exciting contender in the upcoming Oscar race – and it opens today at TIFF! Read Pat Mullen's full review!
Viktor Kossakovsky’s documentary Aquarela throws up a pair of middle fingers at climate change deniers.
Director Lulu Wang talks to That Shelf about her film The Farewell, working with Awkwafina, living in Trump's America, and more!
Lulu Wang’s funny, thoughtful, and life-affirming feature, The Farewell, is one of 2019's best movies.
While Little Monsters is easily watchable and entertaining, there just isn't anything great about it. It's a passable horror movie, but we can't say it works very well.
Director Joe Talbot's The Last Black Man in San Francisco portrays the relentless crime of community disintegration at the hands of gentrification.
Director Alejandro Landes' Monos is a Lord of the Flies/Heart of Darkness allegorical epic film navigating Latin American mountains and jungles to bring a tale of disintegrating alliances and violent upheaval.
When it comes to crowd-pleasing narratives, Sundance has had a good ear to the ground. Director Gurinder Chadha's feel-good musical Blinded by the Light follows that tradition by mixing Bruce Springsteen's classic songs with a real life coming-of-age story.
With dozens of American and International docs screening every year in Park City, Sundance habitually becomes the focus for many of the best words of non-fiction for the year.
Justin Chon's Ms. Purple. is a tribute to familial responsibility told from a female perspective.
With affecting performances, exceptional photography, a haunting score and a storyline that eats at you throughout, The Lodge is an extraordinary work by a talented group of actors and filmmakers.