Danis Goulet’s dystopian thriller Night Raiders, like the best sci-fi movies, use an extraordinary premise to distill simple human truths.
Four families have just 13 minutes to reach shelter before a devastating tornado ravages their town.
The Card Counter contains another exceptional performance by Oscar Isaac—even if the rest of the cast doesn't quite keep up.
Mlungu Wam (Good Madam) uses domestic servitude as a chilling entry point into lingering impact of the apartheid-era
Jake Gyllenhaal's great performance is not enough to save The Guilty.
Kicking Blood looks great but lacks bite.
Malignant director James Wan talks to That Shelf about his horror influences and the art of crafting scares.
A pulsing action thriller with the right amount of depth, Indemnity delivers the goods.
Egan’s film makes one reflect on how rituals can be used to both provide solace and maintain longstanding falsehoods.
Naked Singularity may wear the robe of a heist film with a message, but its collection of half-formed ideas shows just how bare it is underneath.
Unable to withstand the weight of its own over-plotting, James Crow's British gangster film Nemesis is its own worst enemy.
With elements of Misery, Grey Gardens and Shrew’s Nest, this minimalist feature is a tightly wound chamber piece thanks to its trio of stars.
A thriller that understands one needs to break the rules of a system if one hopes to build a better version.
As the old adage goes, if an offer seems too good to be true, it probably is. That's where the new Shudder Original Caveat comes in.
Seventeen years after we were first introduced to Jigsaw in Saw, Chris Rock brings the franchise back into the spotlight as a police crime thriller that disappointingly fails to live up to its full potential.