Synchronic is a dark and moody new sci-fi-thriller from the filmmakers behind The Endless and Spring.
A deeply personal horror movie filled with dread, Sator is a slow burn that will reward a patient audience.
This week, we delve into the "not-too-distant-future" of 1997 where deGENErates like us face non-stop discrimination, even when they look like Ethan Hawke and not Alex!
Sundance Film Festival offering John And The Hole is ultimately as empty as the psychodrama's titular hole.
Songbird holds the distinction of being the first movie to film in Los Angeles since the 2020 pandemic shutdown. It also has the distinction of being one of the most misguided and tone-deaf movies of the year.
I'm Your Woman cleverly subverts the 1970s crime drama by putting the criminals’ wives in the spotlight.
Tomas Street’s mystery-thriller Fugue is a cold-blooded crime flick.
Possessor director Brandon Cronenberg talks about personal origins of this mind-bending thriller, performances within performances, the infamous Sean Bean death curse, and the value of practical makeup effects.
The Wicker Man meets Midsommar in HBO's new atmospheric but predictable miniseries The Third Day with Jude Law and Naomie Harris
In a world where it’s predator vs. prey, these women are lionesses out for the kill.
Despite a cast that includes Jessica Chastain and Colin Farrell, Ava can't rise above its dull script no matter how seriously it takes itself.
Russell Crowe’s new thriller Unhinged sees the Oscar-winning actor play a homicidal maniac with a chip on his shoulder.
Possessor’s creepy new trailer just wants to mess up your day.
Extraction features Avengers star Chris Hemsworth as a black-market mercenary who is hired to rescue the kidnapped son of an imprisoned international crime lord.
Disappearance at Clifton Hill is a moody and surreal neo-noir that transforms Niagara Falls into a haunting border town.