La Casa Muda has become fairly well known on the fantastic festival circuit mainly for its modus operandi: it was shot in one long take. And deservedly so: this technique, which frequently incorporates first person perspective, creates one of the most terrifying atmospheres in any horror film I’ve watched.
An interview with Gary Oldman about diving into his dishevelled spy Jackson Lamb on season six of Slow Horses and learning the character as the series evolves.