That Shelf talked to director Terry Gilliam, star Adam Driver, and the cast of The Man Who Killed Don Quixote about the long gestating film at Cannes last year.
Unwieldy, verbose, and digressive, I did not know that I loved The Wild Pear Tree until the final ten minutes of its three-hour plus run.
Spike Lee's Blackkklansman is an excoriating, unapologetic shot in the face to Trump's America and may well serve as one of the defining films of this era.
The superficial Solo: A Star Wars Story already feels like a footnote to the epic saga. Read our full review straight from Cannes.
We don't get many films like Lars Von Trier's The House That Jack Built, and while it may be insufferable to some, it's sure to be one of the more affecting and memorable films audiences are going to see for a long time.
Spike Lee's Blackkklansman is an excoriating, unapologetic shot in the face to Trump's America and may well serve as one of the defining films of this era.
While it shares traits of his more recent work, The Image Book is the most fun to watch of any Jean-Luc Godard film for a very long time indeed.
Toni Erdmann TIFF 2016 Review.
We caught up with Viggo Mortensen and actor-turned director Matt Ross at Cannes to talk about their new film Captain Fantastic.
A year after his Palme d'Or win at Cannes, Jacques Audiard talks to us about what the genre-bending Dheepan meant to him.
Can Money Monster's talented cast and director bring relevant social commentary to the Hollywood thriller?
The stunning Hungarian Holocaust drama Son of Saul is the frontrunner for the Best Foreign Language film Oscar. We spoke with its director and star.
Yakuza Apocalypse TIFF 2015 review
Here are trailers and clips for films in the TIFF Special Presentations programme.
"You guys want to watch a slow movie? I'll give you a slow movie." - Once Upon a Time in Anatolia director Nuri Bilge Ceylan (probably in private)
