In Becoming Cousteau, director Liz Garbus ably demonstrates what made the Captain of the Calypso one of the 20th century’s most inspirational ecological voices.
The 2021 Toronto International Film Festival announced its People’s Choice Awards and Platform Prize live during the annual Tribute Awards broadcast today.
Silent Night uses gallows humour and an emotional heart to create a well-rounded British dark comedy that's unfortunately overshadowed by our current reality.
In Murina, Croatian director Antoneta Alamat Kusijanović displays a maturity of style that is remarkable for a feature film debut.
Saloum puts the pedal to the metal for 84 thrilling minutes, so buckle up for a genre-bending action-thriller with rock star swagger.
Vengeance Is Mine, All Others Pay Cash pulls from several genres to deliver one of TIFF 2021’s most audacious movies.
That Shelf's Jason Gorber jumps into the Belfast conversation and gives us his verdict on Branagh's personal coming-of-age tale.
A real standout in this year’s TIFF Docs section, Rebeca Huntt’s Beba is a film that defies categorization.
Michael Pearce’s Encounter stars Riz Ahmed as a former marine and father of two boys who stumbles into earth-shattering news.
The Mad Women’s Ball is a stark portrayal of women betrayed by a patriarchal society determined to silence them.
Dave Wooley and David Heilbroner’s documentary Dionne Warwick: Don't Make Me Over takes viewers through the pop and R&B star’s career.
Director Theodore Melfi’s heartfelt drama, The Starling, focuses on a husband and wife trapped in a cycle of grieving.
Danis Goulet’s dystopian thriller Night Raiders, like the best sci-fi movies, use an extraordinary premise to distill simple human truths.
From filmmaker Ritwik Pareek comes Dug Dug, a film which observes how blind faith can be spawned out of the most unlikely of places.
Dashcam is a disorienting, repetitive, tedious mess, and yet, nowhere close to the worst this genre has to offer.