Thor: Ragnarok, one of the best and biggest surprises of 2017, lands on Blu-ray today with loads of fun extras. Read our full Blu-ray review!
Westworld's Jimmi Simpson discusses the big season finale, his love of Westerns, what he’d do if he were in a real life robot cowboy theme park, and much more.
If HBO's Westworld wants its ambitious plot to matter it needs to give audiences better rounded characters.
Westworld has all the action, adventure, and intrigue of the ideal Western film, but that's all a veneer for tourists, under which lies a rich maze of philosophy, science fiction, and genre criticism.
Dork Shelf's resident Hannibal expert Peter Counter joins Eric to discuss the Hannibal finale and everything that made it great.
Noah (Darren Aronofsky, 2014) – The most remarkable aspect of Darren Aronofsky’s Noah is simply the fact that it exists. It’s not supposed to be possible for an idiosyncratic director to get a massive blockbuster budget to make a challenging and thought-provoking movie no matter how many battle scenes are wrapped around the ideas. More […]
Hannibal is a show about the pain of empathy, and "Mizumono" hurts. The finale brings the Ravenstag story arc to a conclusion in a brutal way.
When it comes to understanding exactly what to expect from Hannibal, the two most important characters are symbolic representations of who Will Graham and the titular serial killer are not. At least not anymore.
“Tome-Wan” is Hannibal at its most distilled and sustained. Showcasing the series’ underlying dark humour, this is the tightest, most mesmerizing hour of the series. To use the words of Mason Verger: I am enchanted and terrified.
“Ko No Mono” shifts to an unreliable narrator, allowing us to experience the first truly heartbreaking moment in Hannibal. Using the most iconic image from Red Dragon, we also get a glimpse at who’s really pulling the strings in this show.