Hazel and Katniss and Harry and Starr Podcast: Fitting In
Fittin In is discussed on Hazel and Katniss and Harry and Starr Podcast!
Emily Hampshire
Humane Review: All in the Family
Caitlin Cronenberg's thriller Humane envisions a world where climate change has gotten so bad that the government must reduce society by 20%.
TIFF 2022: The End of Sex Review
As many couples can attest, marriages tend to fall into a familiar routine once children enter the picture. This is exactly the predicament that Emma (Schitt’s Creek’s Emily Hampshire) and Josh (Jonas Chernick, who wrote the screenplay) find themselves in in the charming comedy The End of Sex. After encountering a couple headed towards divorce, […]
That Burning Feeling Review
Thanks to a great cast and a solidly witty script, the raunchy rom-com That Burning Feeling rises above its modest and sometimes contrived trappings.
The Returned Review
The Spanish-Canadian co-production The Returned offers an interesting spin on the zombie film, even if it does play a bit like a fourth sequel to Danny Boyle’s take on the genre that skips over “months” and simply goes to 28 YEARS Later.
In Brief: All the Wrong Reasons & Blue is the Warmest Color
As our film editor continues to play catch up after a crazy couple of weeks for new releases, he takes a look at the Canadian drama All the Wrong Reasons (co-starring the late Cory Monteith) and the heavily talked about French romance Blue is the Warmest Color. The movies might be vastly different, but his opinion is the same on both: They're just okay.
My Awkward Sexual Adventure Review
It's sometimes too episodic for its own good, but the filthy minded and good natured sex farce My Awkward Sexual Adventure works towards saving Canadian cinema from becoming too serious.
EFM 2011: Good Neighbours Review
Jacob Tierney’s third feature film, Good Neighbours, adds a distinctly Canadian twist on a classic Hitchcock-style thriller, envisioning a cold, claustrophobic world in which no one can be either trusted or in many ways resisted. Set in 1995 during the Quebec referendum, the film spies on three Anglophone residents of an apartment block who try to find friendship merely through proximity and language.
