TIFF 2020: Wildfire Review
Knock-out performances from the film's leads anchor the story about a generational struggle with mental health.
film
Changing Reels Episode 69 – Late Night
Film Critic Rishabh Vashishtha joins Courtney for Late Night!
TIFF 2020: Concrete Cowboy Review
Concrete Cowboy stars Idris Elba and Caleb McLaughlin as inner-city cowboys in an unconventional urban odyssey.
TIFF 2020: Falling Review
Viggo Mortensen elegantly tackles the complicated dynamics of a father-son relationship in his directorial debut.
TIFF 2020: The Boy From Medellin Review
Who is Matthew Heineman’s sleek and intimate documentary about Colombian superstar J. Balvin for?
The Criterion Shelf: Bad Vacations
As an antidote to our pandemic wanderlust, The Criterion Channel has put together a list of films meant to remind us that going somewhere isn’t always a good thing.
TIFF 2020: Summer of 85 Review
François Ozon delivers a queer love story that isn't defined by tragedy, yet death permeates every frame.
TIFF 2020: The New Corporation: The Unfortunately Necessary Sequel Review
The New Corporation: The Unfortunately Necessary Sequel is a clear-eyed documentary calls out the insidious methods of today’s “socially conscious” corporations.
Spoiled Rotten 113: Revisiting Blade II
Ben and Daniel revisit Wesley Snipes and Guillermo del Toro's Blade II!
TIFF 2020: Pieces of a Woman Review
Vanessa Kirby gives a heartbreaking gut-punch of a performance.
TIFF 2020: Regina King’s One Night in Miami Review
Regina King's One Night in Miami... is a fascinating tale of men who were friends first and icons second.
TIFF 2020: The Father Video Review
Sir Anthony Hopkins stars in Florian Zeller's feature debut The Father, an exhilarating and complex tale of descent and confusion.
TIFF 2020: Nomadland Review
Chloé Zhao's remarkable film Nomadland is anchored by another exquisite performance by France McDormand.
TIFF 2020: I Care A Lot Review
In a world where it’s predator vs. prey, these women are lionesses out for the kill.
TIFF 2020: The Way I See It Review
Dawn Porter’s documentary The Way I See It revels in Obama-era nostalgia to show us the power of human decency.
