Roofman Review
Channing Tatum and Kirsten Dunst star in Roofman, Derek Cianfrance's light-hearted account of economic necessity in harsh times.
Kirsten Dunst
Civil War Is Here for Journalism, Not Culture Wars
Civil War suggests that it's unreasonable for journalists to remain impartial with what they witness. Writer/director Alex Garland may be right about that, suggests Colin Biggs.
Interview: Writer-Director Alex Garland on Civil War
Alex Garland discusses his latest film Civil War and why he chose to focus on the journalists who capture the horrors, not on war itself.
Civil War Review: Kirsten Dunst’s Role of a Lifetime
Kirsten Dunst has landed the lead role of a lifetime as jaded war photojournalist Lee Smith in Alex Garland’s unflinching dystopian American nightmare, Civil War.
TIFF 2021: The Power of the Dog Review
Jane Campion's return to directing proves a nuanced and quietly-thrilling look at identity, masculinity, and isolation with a career-best performance from Benedict Cumberbatch
Spoiled Rotten 116: Revisiting Spider-Man 2
Ben and Daniel revisit Sam Raimi's second Spider-Man film!
Spoiled Rotten 114: Revisiting Spider-Man
Ben and Daniel revisit Sam Raimi's Spider-Man!
comPOSERS Episode 25: Spider-Man (2002)
This week on comPOSERS, we're talking Spider-Man. No, not that one. Not that one either. The Sam Raimi one. No, not the good one, but not the shitty one. That one. That's the one.
Horoscopics: Top 10 Taurus Season Movies
It's Taurus season, which means movies that will get you chilling out and enjoying the beauty of physical world. Here are the top 10 Taurus movies!
Midnight Special Review
Michael Shannon once again teams with director Jeff Nichols (Mud, Take Shelter) for a different kind of film, Midnight Special shoots for the stars and hits every one.
The Two Faces of January Review
The directorial debut of screenwriter Hossein Amini, The Two Faces of January, is a well acted and looking thriller that never quite brings out the most in its source text.
On the Road Review
While not a bad film overall, the probably unadaptable On the Road captures an admirably realistic feeling sense of aimlessness and youthful hedonism, but it's hard to shake the feeling that something big is still missing
