On the latest Contra Zoom Pod they interview Matthew Rankin about his film Ladies and Gentlemen, Brian Mulroney, which had its world premiere at TIFF.
Dust Bunny is a wildly colourful, darkly funny, and heartwarming horror-fairy tale that cements Bryan Fuller’s feature debut as a cult-worthy triumph.
Junk World is a striking stop-animation prequel that time travels through a post-apocalyptic world populated by genetic mutations.
Whether or not Dead Lover becomes a cult classic is ultimately less important than its immediate, obvious role as the point in time Grace Glowicki took a gigantic artistic leap forward.
Writer-director Curry Barker takes this familiar concept and runs with it in his feature film debut, Obsession, a one-note horror that will fail to satisfy TIFF’s Midnight Madness audience.
In Friendship, Tim Robinson’s signature off-kilter persona finds a bigger stage, with an absurd cringe comedy destined for cult status.
Joseph Kahn's alien invasion movie Ick offers a furious and irreverent mix of action, comedy, horror, and sci-fi.
When Evil Lurks proves why people are calling Demián Rugna the next horror master. #TIFF23
Boy Kills World delivers two hours of sensory overload, packed with colourful characters, over-the-top action sequences, and stylish visuals.
Canadian films announced today include The Queen of My Dreams, Tautuktavuk, Backspot, and Seagrass.
Venus invites viewers to experience a gritty slice of Madrid overtaken by magic, mysticism, and gangland violence.
Project Wolf Hunting has a killer premise that blends elements of Con Air with a Predator flick
Our in-depth look at the TIFF 2022 Midnight Madness People's Choice Award winner Weird: The Al Yankovic Story.
Vera Drew’s imaginative vision holds no bounds, and any DC fan worth their salt would be foolish to not give it the credence it rightfully has earned.
Director Ti West’s Pearl is a joyfully twisted horror flick featuring by a staggering Mia Goth performance.
