This week we discuss a ghost story that claims it's not a ghost story because its many ghosts aren't scary or useful to the plot. Join us as we examine Guillermo Del Toro's beautiful looking Crimson Peak and its score by Fernando Velázquez.
A new Pedro Almodóvar film is always cause for celebration. Even a short one, especially one that so carefully harkens back and deepens, in turn, the Spanish director’s longstanding fascinations. The Human Voice, starring Tilda Swinton and “freely based” on Jean Cocteau’s 1928 play by the same name, is pure Almodóvar. It’s both a potent […]