Jason Gorber and chats with Toronto's own Alison Pill about Goon: The Last of the Enforcers, motherhood, and working with some of the world's most talented filmmakers!
Dork Shelf and eOne Films want to send you and a guest to the world premiere of Goon: The Last of the Enforcers in Toronto!
Dork Shelf is giving away passes courtesy of eOne flims to advanced screenings of Goon: The Last of the Enforcers in cities across Canada, including three screenings hosted by Jay Baruchel!
We speak with director John Madden (Shakespeare in Love) about his new political thriller Miss Sloane, working with Jessica Chastain again, and the junk he finds hard to throw away.
This Canadian/ Brazilian coproduction is an ambitious and clever Kaufmanesque comedy with plenty of talent behind it. For a mixed media meta good time, go see Zoom.
The stories of episode three continue to be removed from the flash-forward mystery conflict seen in the season two premiere of The Newsroom. Much like last week’s episode, the show forces us to ‘...wait for it’ without even knowing what ‘it’ is. That being said, there are still some fun moments.
The new season of HBO’s The Newsroom is up and running, and the second episode, "The Genoa Tip," is principally spent maneuvering us towards the season’s larger ongoing stories. We get some long-overdue progress in the Jim-Maggie-Don love triangle, more of intrepid-as-opposed-to-incompetent reporter Neal Sanpat, and more than one genuinely fun scene featuring Sloan.
While The Newsroom's first season often mistook ripped from the headline fact for character and simplistic moralizing for profundity, having watched the first four episodes of season two we are happy to report that showrunner Aaron Sorkin seems to have fixed many of the problems that plagued the first season... and in a few cases replaced them with all new problems.
Looking to shake the early winter doldrums? Before you head out or order in a movie out on DVD this week, take a look at our eclectic line-up of reviews including the action of Taken 2 and Universal Soldier: Day of Reckoning, the martial arts mayhem of Swords of Dragons Gate, the drama of Won't Back Down, the visual splendour of Samsara, and the return of Woody Allen in To Rome with Love.
Episode four of Aaron Sorkin’s The Newsroom, "I’ll Fix You," is a fairly engaging episode which delves the furthest into Will’s personal and emotional life thus far. Despite the strong character moments for McAvoy though, it's beginning to seem as though the female characters on The Newsroom exist pretty much only to instigate plot.
In many of the series reviews I've read of The Newsroom, critics unanimously declared that the pilot, "We Just Decided To," was the strongest of the first four episodes. For me, however, this Sunday's episode, "The 112th Congress," is easily Sorkin's strongest stuff thus far, at least partly because of the episodes effective structural reliance on a device that Sorkin memorably used in David Fincher's The Social Network.
While not one of the more disposable films in the Woody Allen cannon, the filmmaker's latest To Rome With Love only manages to be a mildly amusing mishmash of four separate, mediocre, half-baked stories instead of just one really good one.
After a promising but problematic pilot, the second episode of Aaron Sorkin's The Newsroom should have brought things together and smoothed out some of the rough edges. Instead, it's very clear that the series is still struggling to find its feet. Worse, it almost squandered what interest we had in the series by repeating itself in just the second episode.
Pilot episodes are notoriously hard to pull off. The writer must introduce characters, themes, and settings, all while telling a very specific type of “jumping off” story likely bearing little resemblance to the episodes that will follow. Such is the case with “We Just Decided To,” the first episode of super-creator Aaron Sorkin’s new show The Newsroom.