Power Ballad Review: Paul Rudd And Nick Jonas Make Beautiful Music
A music-driven drama about two faded stars whose chance creative spark turns into a messy clash over fame, credit, and second chances.
film
Backrooms Review: Kane Parsons’ Feature Debut Dazzles & Perplexes
Backrooms delivers what the web series promised: disturbing psychological horror and ambiguity that invites post-screening conversation.
Pressure Review: World War II Drama Delivers Enthralling History Lesson
Old-school World War II drama, Pressure, delivers an enthralling history lesson with Andrew Scott and Brendan Fraser.
The Classics Shelf: Top Ten 1960s Documentaries
In a decade that included formative works by the Maysles, Frederick Wiseman, Peter Watkins, and other filmmakers, Bil Antoniou picks the top ten documentaries of the 1960s.
Dancing on the Elephant Review: BMFM 2026
Dancing on the Elephant is a cinematic third-act slice of Canadian life worth seeking out, especially for the performances from legends Sheila McCarthy and Mary Walsh.
Allison Janney and Andrew Rannells Ignite Dramatic Fireworks in Miss You, Love You
Miss You, Love You stars Allison Janney and Andrew Rannells talk about navigating love and grief in their dramatic two-hander by Jim Rash.
The Man I Love Review: Cannes 2026
Ira Sachs' The Man I Love is a celebration of love, art, and life in the face of death during the heights of the AIDS epidemic in 1980s New York City, featuring a career-best performance from Rami Malek,.
Tangles Review: Cannes 2026
Beautiful animation, incredible voice performances, and a heartbreaking story make Tangles a masterpiece, showcasing the power of the animated medium.
Passenger Review: André Øvredal Delivers Abundant Scares on a Road to Nowhere
André Øvredal’s latest film, Passenger, delivers abundant shocks and scares on a road to nowhere.
Fjord Review: Cannes 2026
With his Palme d'Or-winning feature, Fjord, Cristian Mungiu puts his audience in the hot seat as he questions moral boundaries, biases, and religious and progressive extremism.
Boots Riley Talks I Love Boosters and Politics and Sleeves
An interview with I Love Boosters director Boots Riley about his fashion-forward critique of consumer culture and capitalist inequality.
Star Wars: The Mandalorian and Grogu Review: Bigger Screen, Less Wonder
The Mandalorian and Grogu make the hyperspace jump to theatres, resulting in a fan-friendly adventure full of familiar pleasures that struggles to meet Star Wars' mythic status.
Hope Review: Cannes 2026
Na Hong-jin's science fiction epic, Hope is a high-octane action thriller about a small Korean town being invaded by aliens. Action pack, thrilling, and completely insane, we haven't seen a film like this since Mad Max: Fury Road.
Paper Tiger Review: Cannes 2026
James Gray's Paper Tiger is a frustrating film. On one hand, it has several spectacular scenes, great performances, and a tense atmosphere. But on the other, it is a collage of better crime thrillers stitched together without ever carving out its own identity.
Club Kid Review: Cannes 2026
Jordan Firstman's Club Kid is a dazzling, crowd-pleasing debut from Cannes showing that it is never too late to be a better person.
