100 films from 100 filmmakers featuring movies from six continents, 44 countries and 12 decades of cinema
TIFF 2017: Alias Grace Review.
The Toronto Film Critics Association has named the winners in their annual survey of film critics within the city and Paul Thomas Anderson's The Master came out a huge winner. Here's this year's results including a couple of surprise winners and the nominees for the Rogers Best Canadian Feature award to be determined on January 8th.
Everyone has a story, but not everyone can tell them. But with Stories We Tell Sarah Polley proves to be a masterful storyteller in what’s unquestionably one of the best films of the year.
With opening day of the 2012 Toronto International Film Festival now upon us, Dork Shelf's coverage rolls on with looks at Stories We Tell, On the Road, The Hunt, Peddlers, Tower, Lore, 90 Minutes, and Blackbird.
More thematically interesting than good, Take This Waltz is the rare breed of film that strives for realism in individual sequences, but it never fully comes together as a total package.
The nominees for this year’s Canoscars, better and more formally know as the Genie Awards (now entering its 32nd year of existence), have been announced, and while there aren’t necessarily many surprises in what’s included there’s always room to complain about it.
It's that time of year again! With the 2011 edition of the Toronto International Film Festival just around the corner, the festival group today announced the first batch of special presentations and galas.
There is a moment near the end of Splice when you see the creature in all its frightening glory, this odd hybrid with just enough human to have won your empathy for the majority of the film, and it is about to exact its revenge for mistreatment, when you finally understand what Mary Shelley was […]