The first trailer for Denis Villeneuve's "unfilmable" adaptation of the sci-fi classic DUNE is here – and it brought some serious star power!
As a family, we pledged to embark upon an epic MCU rewatch before we see Avengers: Endgame – and answer the all-important question: should you watch these with your kids? Up next Thor: The Dark World!
As a family, we pledged to embark upon an epic MCU rewatch before we see Avengers: Endgame – and answer the all-important question: should you watch these with your kids? On to The Avengers!
As a family, we pledged to embark upon an epic MCU rewatch before we see Avengers: Endgame – and answer the all-important question: should you watch these with your kids? Next up 2011's Thor!
That Shelf talked to director Terry Gilliam, star Adam Driver, and the cast of The Man Who Killed Don Quixote about the long gestating film at Cannes last year.
You can call Liam Neeson, Mr. Plow, by the way this protagonist clears a vengeful path straight through his Rocky Mountain resort community in Cold Pursuit.
The Man Who Killed Don Quixote is finally here, and we have one of the first reviews.
TIFF 2017: Borg/ McEnroe Review.
In Order of Disappearance is a winding, violent thriller that revels in its Norwegian landscape and indulges in the vengeful mentality of its characters.
Kenneth Branagh's live action telling of Disney's Cinderella is basically a classic fairy tale perfected and everything a Disney fan could ask for.
Enter for a chance to win passes to see Hector and the Search for Happiness in select Canadian cities!
Nymphomaniac (Lars Von Trier, 2014) – For years Lars Von Trier has threatened to smack audiences with his take on an “erotic” movie. The plucky provocateur always brought an exploitation filmmaker’s chutzpah and showmanship to his art house career, and chasing the metaphorical white whale of a serious erotic drama that porn kings and legitimate […]
Insomnia (Erik Skjoldbjaerg, 1997) – Though sadly overshadowed by the Al Pacino and Christopher Nolan American remake, Erik Skjoldbjaerg’s Insomnia remains one of the greatest thrillers of the 90s. While Skjoldbjaerg never quite managed to deliver an adequate follow up, his directorial debut was one of the most striking of his era. It’s a […]
If you can get past the somewhat awkward and out of place first act, The Railway Man is worth it overall. It’s a compelling enough drama, but it keeps hinting at a lot more depth that never quite surfaces.
There’s a daringness and certainly a great degree of ambition to Danish auteur Lars von Trier’s latest misanthropic opus Nymphomaniac, but there’s also a been there, done that kind of feel to his work here that’s almost more distressing than the subject matter.