Snakehead Review: Gangster Flick Eats Its Own Tail
Evan Jackson Leong's first dramatic feature explores the underbelly of human trafficking.
drama
TIFF 2021: The Starling Review
Director Theodore Melfi’s heartfelt drama, The Starling, focuses on a husband and wife trapped in a cycle of grieving.
TIFF 2021: The Guilty Review
Jake Gyllenhaal's great performance is not enough to save The Guilty.
TIFF 2021: Lingui, The Sacred Bonds Review
Mahamat-Saleh Haroun's Lingui: The Sacred Bonds is a riveting and meditative celebration female bonds.
TIFF 2021: Kicking Blood Review
Kicking Blood looks great but lacks bite.
Fantasia 2021: Glasshouse Review
Egan’s film makes one reflect on how rituals can be used to both provide solace and maintain longstanding falsehoods.
Naked Singularity Review: Heist Flick Steals Your Time
Naked Singularity may wear the robe of a heist film with a message, but its collection of half-formed ideas shows just how bare it is underneath.
Fantasia 2021: Baby, Don’t Cry Review
Jesse Dvorak’s coming-of-age fable Baby, Don’t Cry explores those who exist on the margins of society. Read the review from Fantasia 2021.
Lorelei Review
Sabrina Doyle’s Lorelei overcomes its various rough patches thanks to Jena Malone and Pablo Schreiber’s strong performances.
Old Review: M. Night Shyamalan Takes A Beach Vacation
M. Night Shyamalan, the king of twists is (sorta) back with his latest effort, the existential suspense drama Old starring Gael Garcia Bernal.
comPOSERS Episode 110: Uncut Gems
Because we're not all stressed out enough, this week the boys welcome back beer provider and score aficionado Gavin Whitehead to discuss the 2019 crime drama Uncut Gems.
Sundance 2021: On the Count of Three Review
Jerrod Carmichael’s directorial debut is a dark comedy about two best friends facing an existential crisis.
comPOSERS Episode 97: Gattaca
This week, we delve into the "not-too-distant-future" of 1997 where deGENErates like us face non-stop discrimination, even when they look like Ethan Hawke and not Alex!
Sundance 2021: Mass Review
Actor Fran Kranz's directorial debut is a tightly-woven intimate drama about grief, forgiveness and blame anchored by powerhouse performances from his small ensemble.
Sundance 2021: John And The Hole Review
Sundance Film Festival offering John And The Hole is ultimately as empty as the psychodrama's titular hole.
