Sarah Gopaul
Featured Critic
Sarah Gopaul is a Rotten Tomatoes Tomatometer-approved critic and member of the Online Film Critics Society who was captivated by cinema the moment 12 Angry Men opened her pre-teen eyes to its power. Instead of stepping behind the camera, she found her voice through writing, honing her skills with degrees in Journalism and Film Studies to master the art of the critical take.With nearly two decades of experience, previously serving as Editor-in-Chief of Popjournalism and Film Editor at Digital Journal, Sarah has a long history of sharing her insights on movies and home entertainment. Now a freelance critic, she's dedicated to telling you what's worth seeing (and what's not!).
Watching everything from blockbusters to indie gems, her true love is horror — a genre so dear to her heart that it launched her Funko Pop collection in 2015, culminating in her induction into the Funko Hall of Fame in 2022.
When she's not immersed in a dark theatre or spooky film, Sarah's probably rock climbing or braving the crowds at fan conventions like San Diego Comic-Con. You can find more of Sarah's writing and commentary on film, media and culture at her site, Imagery at the Movies.
Articles by Sarah Gopaul:
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September 13, 2025
Whitetail Review: TIFF 2025Whitetail is a slow but sustained drama that follows a woman forced to confront a past she tried so hard to put behind her.
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September 13, 2025
Kokuho Review: TIFF 2025Kokuho is a passionate exploration of the Japanese art of Kabuki through the ambitions of two young rival actors.
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September 12, 2025
Unidentified Review: TIFF 2025Unidentified is a carefully crafted whodunit that follows a true crime enthusiast’s unofficial investigation into a possible honour killing.
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September 11, 2025
Junk World Review: TIFF 2025Junk World is a striking stop-animation prequel that time travels through a post-apocalyptic world populated by genetic mutations.
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September 11, 2025
The Blue Trail Review: TIFF 2025The Blue Trail follows a woman who defies the government’s definition of elderly and challenges their new regulations.
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September 11, 2025
Mama Review: TIFF 2025Mama is the sharp portrayal of a woman suddenly struck by the impact working abroad has on her role as matriarch.
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September 10, 2025
Exit 8 Review: TIFF 2025Exit 8 adapts a minimalist video game for the big screen, creating an emotionally complex narrative for the main player.
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September 9, 2025
Out Standing Review: TIFF 2025”˜Out Standing’ follows the real-life trials of Canada’s first woman infantry member, highlighting the sexism she experienced at every step.
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September 9, 2025
Flana Review: TIFF 2025Flana explores the disproportionate disappearance of women and girls in Iraq through the lens of personal experiences.
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September 9, 2025
The Cost of Heaven Review: TIFF 2025”˜The Cost of Heaven’ follows one man’s attempts to achieve his dreams of a better a life, even though the one he has is already enviable.
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September 6, 2025
Bayaan Review: TIFF 2025Bayaan begins with a rape that exposes the dangers of fanaticism and everyone’s willingness to turn a blind eye to the truth.
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September 6, 2025
Hamlet Review: TIFF 2025Hamlet is a contemporary production of Shakespeare’s play, updating the setting to modern-day England, but not the dialogue.
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September 5, 2025
Still Single Review: TIFF 2025Still Single chronicles the hectic lifestyle of Canada’s only two-Michelin-star chef, adding another face to the stereotypes that surround culinary genius.
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film
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TV
Gary Oldman Follows His Nose with Slow Horses
An interview with Gary Oldman about diving into his dishevelled spy Jackson Lamb on season six of Slow Horses and learning the character as the series evolves.
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music
James McAvoy on the Scottish Brogue of California Schemin’
An interview with James McAvoy on California Schemin' and making his directorial debut with a film that takes pride in a Scottish voice.
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podcasts
Contra Zoom Pod Episode 346: 2026 VIFF Wrap Up
The Vancouver International Film Festival just finished, and Contra Zoom Pod talks about some of their favourite films that were screened.
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